Professor Hungerford situates Marilynne Robinson’s novel Housekeeping (1980) in a tradition of American writing about the individual’s relationship to nature that includes the powerful influences of the Bible, Herman Melville, and Ralph Waldo Emerson. The loss of identity that Emerson describes as becoming a “transparent eyeball” in the woods, Robinson brings into the realm of the home, the built environment. The individual voice and its guiding consciousness are all mixed up in the material substance of the world, giving them a concurrent fixity and fragility that it is Robinson’s talent, and our challenge, to explore.